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Concerts featuring Sebastian Kohlhepp in season 2024/25 or later
Stefan Zweig's "Sternstunden der Menschheit" explores impactful decisions. One such moment is Handel's "Messiah." Not just a success, but Handel's resurrection from illness and failure through Jennens' biblical text. Composed in three weeks, it remains a Christmas staple despite being intended for Easter. Its blend of old and new testaments makes it fitting for any Christian celebration, making a February performance a welcome occasion.
Commissioned by Vienna’s »Tonkünstler-Societät« (»Society of Musicians«), Mozart wrote the cantata »Davide penitente« (»David repents«) for Lent, using parts of his large-scale Mass in C minor. He follows in the footsteps of composers including Johann Sebastian Bach with this cantata, written for a benefit concert in aid of widows and orphans of professional musicians. In Bach’s Christmas Oratorio and Mass in B minor, he presented top-class music that had already been composed in a new form.
In 1867, Anton Bruckner, recovering from a nervous ailment, began composing his large-scale Mass No. 3. Twenty-five years later, he quoted it in his unfinished 9th Symphony as a gesture of thanks to God.
After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.
In 1867, Anton Bruckner, recovering from a nervous ailment, began composing his large-scale Mass No. 3. Twenty-five years later, he quoted it in his unfinished 9th Symphony as a gesture of thanks to God.
After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.
After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.
In 1867, Anton Bruckner, recovering from a nervous ailment, began composing his large-scale Mass No. 3. Twenty-five years later, he quoted it in his unfinished 9th Symphony as a gesture of thanks to God.
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